Stage Director Intern program

Applications for this year's opera stage director internship are now being accepted.  The recipient will work one on one with distinguished veterans of opera stage direction during an opera scenes workshop, young artist program or opera production. Application deadline for the 2015 cycle is October 15, 2014. Please read the internship guidelines for more information.
Posted by: severtki


Recent Scholarly Papers

Scholarly Papers 2015

Fifty Years Later: Reflections on Douglas Moore’s Carry Nation (1966), the University of Kansas’s Centennial Contribution to the American “Year of Opera”
Monica Hershberger

Scholarly Papers 2014

Cultural Translatio and Arne Artaxerxes
Richard Torre

Scholarly Papers 2013

Love and Redemption: The Unfulfilled Passion, the Dissatisfied Dream, and the Chilvaric Duty in Richard Wagner's Tristan und Isolde
Meghann Anneliese Dailey

Scholarly Papers 2012

Spanish Operatic Identity vis-a-vis Bizet's Carmen
Luis Gustavo Castro-Ramirez

Scholarly Papers 2011

Recitative for the Peuple
Julia I. Doe, Yale University

Operatic Achievements on the European Scale: 19th Century Mexico
Anna Ochs, University of Chicago

Scholarly Papers 2010

Medée et son pouvoir: Music and Dramatic Structure in Marc-Antoine Charpentier's Medée
Alison DeSimone, Ann Arbor, Michigan

Enacting the Nation on Stage: Style, Subjects and Themes in American Opera Librettos of the 1910s
Aaron Ziegel, Urbana, Illinois

Scholarly Papers 2009

The Evolution of American Opera: Robert Ward’s The Crucible
Dr. Robert Kolt, Indiana University – South Bend

The Face That Launched A Hundred Arieas: Helen of Troy and the Reversal of a Reputation in Seventeenth-century Venetian Opera
Reba Wissner, Brandeis University

Scholarly Papers 2008

Wagner, Appia, and “Authorial Intention”
Dr. David Ronis, Queens College

Between Scenes: Transitions and Wagnerian Form
Dr. David Smyth, Louisiana State University